In 1989 I started the project on daily “Writing“ that I have continued ever since. The writing process consists of individual, sign-like characters that never repeat themselves. These traces of movement form complex lines within a sphere of ever-progressive differentiation. The result defies reading – at least not in any conventional sense.
The signs of this expansive matrix describe nothing external – only their own vibration and pulse rate. It is not their task, claim and meaning to be equivalent or adequate to something “out there”, to act as a symbol, or functional script coding information.
When script is divested of its semantic core, the motion of writing instantly implodes and the absence of things returns into the signs in the form of a condensed presence, of an expanding intensity of the moment. It is all about the unobscured reality of the bare and sheer motion of writing; about its inhomogeneous dynamics and limitless expandability, which in its own domain of influence and space of possibilities actualises a structurally differentiated language.